Created for outdoor spaces, the chaste design and simple materials are as inspirational inside as out. For halls and hallways. Alone or together, in rows or perfect squares.
Simplicity liberates imagination.
SQUARE 250 | |
---|---|
Material | Galvanised or coated steel, or copper |
Coating | White: RAL 9010 |
Black: RAL 9005 | |
Black: Noir 900 Sablé, SN351F | |
Graphite grey: YW355F | |
Corten brown: YX355F | |
Shade | Opal-white polycarbonate |
Cut-out | Digits can be cut in the front. See specification in the pdf with product data. |
Mounting | On wall or wall box |
Connection | Max two cables into 5 x 2.5 mm2 terminal block |
Classification | IP45, class I or II |
Impact resistance | IK09 |
Weight | 2 kg |
LED type | Bridgelux Vero 10 + V6 |
---|---|
Operational life | min 100,000 hours at ta max 25° C, L90B10 |
Total consumption | 10 or 15 W |
Total consumption, downwards | 8 or 12 W |
Colour temperature | 2700, 3000, or 4000 Kelvin |
Colour rendering | min 90 Ra |
Colour accuracy | 3 steps SDCM |
Output ratio | 63% |
Driver | LED driver, 20 W |
---|---|
Dimming optional | |
Inrush current | max 5 A (50% after 50 µs) |
Operational life | min 100,000 hours |
Alternative | Driver and sensor (radar) for wireless control |
Item No. | Square 250 exterior |
---|---|
6828- | 10 W LED, 250 mA |
6820- | 15 W LED, 350 mA |
6829- | 8 W LED, 250 mA, downwards only |
6826- | 12 W LED, 350 mA, downwards only |
Select colour, colour temperature, etc. in the table below.
Colour | Colour temperature |
---|---|
1 = white | 927 = 2700 K, 90 Ra |
3 = black | 930 = 3000 K, 90 Ra |
4 = graphite grey | 940 = 4000 K, 90 Ra |
8 = brushed copper | |
9 = galvanised | |
17 = corten brown | |
66 = noir 900 |
Dimming | Classification |
---|---|
empty = no dimming | empty = class I |
V = 1-10 V | K = class II |
D = DALI | |
R = bluetooth sensor |
Laser cutting in front | |
---|---|
C = Cutting of digits in front |
Example Item No.: 6820-66927D = Square 250, 15 W LED, noir 900, 2700 K, 90 Ra, Dali, class I
Square - and Sticks - are designed in 1999, and both designs have pathed the way within their fields of application.
The simple, minimalist design enhances the form, and the light is not dominant.
More about schmidt hammer lassen here.